However, we simply cannot disregard the ways in which the software works customers through molarization thus creating a plane of transcendence lifting figures away from “the uniquene of the spatiotemporal coordinates by which they go” (Maumi, 1992, p. 112). System slipping victim to transcendence “are decreased to what generally seems to persist acro their changes” (Maumi, 1992, p. 112); hence, internet dating is a proce definitely “as quick and easy as moving through the content of a magazine” (Bhattacharya, 2015, p. 31). One individual recalls sense “like I found myself searching through some type of weird catalogue” (Wygant, 2014). The knowledge of glancing through profile photos as though one is turning journal content are eloquently unpacked in Milan Kundera’s (1992) psychological reality in Immortality:

If you place the images of two various confronts alongside, their eyes are struck by whatever makes one not the same as another. However if you’ve got 200 and twenty-three face side by side, you unexpectedly recognize that it’s all just one face in several variants and that no these types of thing as a specific actually ever been around. (p. 35)

Accelerating the skimming of profiles brings the emergence of an exceive visuality definitely reminiscent of philosopher Georges Bataille’s mention of the “the terrible liquification for the eye,” properly reducing someone to the position of “one wave missing in several surf” (Featherstone, 2003, p. 441). Inside context, Virilio’s review of superabundant ideas as a zone “where all improvement collapses towards greyne of the identical” (p. 443) deserves consideration.

Abstracting one’s body, by combining speed and a visualizing technologies, enables a process of personality to get extracted so the “identity grid is actually actualized in photographs, in an immediate redescent on the planes of transcendence toward the flesh, via a technical or personal device or medium” (Maumi, 1992, p. 112). Continue reading →